Born in Greece, raised in Ireland, educated in England, and a writing career forged in America – perhaps it is Lafcadio Hearn’s lack of a permanent home that resulted in his openness towards and interest in other cultures. If we look back on Hearn’s career and works, it is a recording of folklore and local customs that stands out most clearly.
What unites ghost stories and folksong? A Venn diagram of the two would surely put love and death in the centre. Robert Aickman wrote in the introduction to The 3rd Fontana Book of Great Ghost Stories that the eerie tale fulfils our “need to escape, at least occasionally, from a mechanistic world, ever more definable, ever more predictable, and, therefore, ever more unsatisfying and frustrating.”