Coming to this new Netflix horror over a week after its launch and, being a user of Twitter, I was subjected to a range of diverse opinions. And some strong emotions too. At first I thought, “what’s all the fuss about?” In the Tall Grass got off to a promising start – the production was slick and stylish, the idea was novel and, at first glance, quite neat and concise. But as the running time dragged on, In the Tall Grass progressively lost its way.
I liken short story anthologies to a supermarket trip – you go in for what you want, see things you don’t like and often come away with something extra you didn’t know you liked in the first place. An odd analogy perhaps, but you get my drift I’m sure. In other words, in Full Throttle by Joe Hill, there were some stories I liked, some I didn’t like at all and a couple of nice surprises.