Coming to this new Netflix horror over a week after its launch and, being a user of Twitter, I was subjected to a range of diverse opinions. And some strong emotions too. At first I thought, “what’s all the fuss about?” In the Tall Grass got off to a promising start – the production was slick and stylish, the idea was novel and, at first glance, quite neat and concise. But as the running time dragged on, In the Tall Grass progressively lost its way.
Editor’s note: as this is an analysis of the film Midsommar, there be spoilers ahead.
Midsommar is Ari Aster’s latest horror offering following 2018’s Hereditary, and sees a group of friends who travel to Sweden for a festival that only occurs every 90 years, only to find themselves amongst a pagan cult.