Sublime Horror

Celebrating the best in horror

Category: Books (page 1 of 10)

The Lost Ones by Anita Frank review – a ghost story with great ideas but lacking suspense

There are lots of shadows in Greyswick, the setting for this supernatural mystery-cum-whodunit by debut novelist Anita Frank. Mrs Henge seems to occupy most of them: she is the ominously-named, sexually predatory and grey-eyed (“I wondered what treacherous depths they concealed”) housekeeper to whom we are introduced early on. From the moment her character is established with the broadest of brushes, we know exactly where we are as readers.

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Dracula’s greatest triumph: The vampire as a queer liberator

From the moment I heard the vampire’s name, I associated him with forbidden desires. After all, I was only seven-years-old when the R-rated Bram Stoker’s Dracula (1992) was released to theatres and very much forbidden from seeing it. Despite the begging, my parents decided it “…just wasn’t for kids.” Unacceptable! We were a family of horror fans (seriously, my dad had me convinced he was an actual werewolf) and vampires were definitely my thing. Perhaps as a consolation, my mother went out and bought me a high-collared black cape from our local K-Mart. That Halloween, an elementary-aged but very convincing Count Dracula stalked the streets of Bay St. Louis, Mississippi in white face paint and plastic fangs.

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Amanda Mason interview: ‘I wanted to have the horror in plain hot sunlight… I wanted that contrast’

Split between the UK’s heatwave of 1976 and the present, Amanda Mason’s The Wayward Girls is a dark and gripping tale of poltergeist infestation. Rebecca Wojturska reviewed the book for us and wrote that it’s a “dark and shimmering tale of palpable unease… Mason’s ability to weave mystery and eeriness together will appeal to fans of thrillers and horror alike.” Rebecca had the chance to speak to Mason about her debut novel, ghost stories, stage magic, and a hint at the book that’s coming next.

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Fearful desire: Male homoeroticism in vampire media from Dracula to The Lost Boys

In an undergraduate classroom, even one full of English majors, it can be hard for nineteenth-century literature to turn heads. “Achingly dull” or “overly wordy” are typical responses to the Victorians. Despite its place in our cultural imagination, Dracula doesn’t incite average readers to clamour for Bram Stoker’s foundational novel. But by the time Dracula’s three sultry vamp ladies crawl suggestively down Jonathan Harker in bed, who is insensate with fear and “languorous ecstasy,” students realise this isn’t some stuffy sermon on middle-class morality they’re dealing with. The assumed Victorian prudishness doesn’t fly, but catapults out the nearest window. This isn’t what they were expecting. Certainly not from 1897. But why not?

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Alien: Prototype by Tim Waggoner review – there are far better stories out in the darkness of the Alien cosmos

I love Alien. Perhaps the only things I love nearly as much as Alien are the non-film spin-offs that have been slowly populating the property’s galaxy over the past decades and which are, in some cases, better than some of the films. The late 80s Dark Horse comic series, for example, is still perhaps some of the most terrifying Alien content ever released. And, more recently, the excellent Alien: Isolation made full use of the immersion that only video games can provide to construct a hugely atmospheric narrative.

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The Wayward Girls by Amanda Mason review – a dark and shimmering tale

It’s 1976 and a heatwave has hit the UK. Loo and her many siblings, including her older sister Bee whom she must share a room with, are relocated to an old farmhouse in the middle of nowhere in their parents’ attempt to start a new life. But strange things begin to happen on Iron Sike Farm and after a series of loud knockings from the walls and unexplainable bruises on Loo, the family are terrified of what is haunting their house.

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The Science of Monsters by Meg Hafdahl and Kelly Florence review – an unscientific but entertaining fact-filled dive into the monsters of horror

“How would a zombie really decompose in Night of the Living Dead? Are there instances of shape shifting in nature like in The Wolfman? What is the science behind the night terrors that inspired the creation of Freddy Krueger? Is there scientific data supporting ghost detection like the tools used in Poltergeist? What is the psychological drive that compels cannibals like Hannibal Lecter?”

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Mid-century possession: Ray Russell’s The Case Against Satan

It’s almost impossible to imagine a contemporary possession story, whether in a book or film, not being somehow influenced by William Peter Blatty’s The Exorcist. Blatty’s novel is one of those books that defines a subgenre and many of the images that readers and film-goers have of possession tales (the troubled priests, the candle-lit Catholic iconography, the other-worldly voices) seemingly originate with Blatty’s 1971 book. But there’s a possession novel, much less well known, that appeared roughly a decade earlier, and which includes many of the possession narrative attributes that would become a staple in books and films involving exorcism.

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The Texas Chainsaw Massacre and Its Terrifying Times: A Cultural History by Joseph Lanza review

To say that Tobe Hooper’s The Texas Chain Saw Massacre is one of the cornerstones of modern horror is an understatement. What has been one of its enduring impacts, at least to me, is the sharp juxtaposition of what could be argued to be a family movie against almost casual brutality, tuning viewers in across the span of decades to a story of fear that feels timeless at its core.

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Latest horror books: November 2019

We’re cheating slightly this month by starting off with four books released not in November but on Halloween, which is close enough for us and it’d be a real shame not to highlight them. Blame publishers for thinking 31 October is a great date to release books. As always, this is not an exhaustive list. If you think there’s a book we’ve caused grave injustice to by leaving off, leave a comment or get in touch.

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