Sublime Horror

Celebrating the best in horror

Author: Stephan Hoda

Sympathetic monsters: queerness in Stephen King’s Sleepwalkers

Stephen King. Even as a kid, I knew that that name attached to a film title meant that I was going to be freaked out. Both of my parents were avid horror fans, so I became acquainted with cinematic monstrosity at a rather early age. I cut my teeth on It, A Nightmare on Elm Street, Pet Sematary, and Halloween. As a result, it isn’t very often that a scary movie really gets me. However, if someone were to ask which movie scared me the most, my answer wouldn’t be a major title. Nor is it one that seems to get a lot of attention. It is, however, a Stephen King film; one that left a mark, or rather, a scratch on my psyche that I’ve only truly begun to understand as an adult: Sleepwalkers.

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Ancient nightmare, modern guise: Elements of Greek mythos in A Nightmare on Elm Street

The nightmare was real. Sitting in Ava Chitwood’s course on Greek civilization, my phone starts going off. Loudly. Dr. Chitwood was the kind of professor who inspired both fear and fascination. No doubt, those of us majoring in classics adored her but nobody, and I mean nobody, wanted to get on her bad side. I remember once advising a friend of mine, “if you’re late, just don’t go.” Truth be told, she just didn’t have time for any college-age bullshit. This was the kind of professor (icon) that would throw you out for yawning too loudly. So, you can imagine the fear, the panic, and utter desperation I felt as my phone starts ringing. There I am, tearing through my bag, praying she doesn’t kick me out, when my hand finally finds the phone. I silence it, drop it back in the bag, and pick up my pen. Dr. Chitwood is just standing there silently, eyes locked on me. “In 44 CE,” she continued, “…there was a sudden outburst of music.” She winked at me and, I swear to God, it felt like a wink from Fate, herself!

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