The Devils is Ken Russell’s notorious 1971 historical drama telling the extraordinary story of a case of possession in 17th century France, in the city of Loudun. I start with possession because, were this any other story, that would be the most extraordinary part. But this isn’t a film about possession; it is a film about the dangers of religion and politics colliding, and it’s message is as resonant today as it was on release (and on publication of the Aldous Huxley book, The Devils of Loudun from 1952, on which the film is partly based).
It’s been a little while since we published a roundup of the latest horror books so it’s nice to return with quite an exciting bunch for September. Stephen King’s The Institute is certainly the biggest name on this list – read our review. Is there a book we’ve missed that you think should be included? Leave a comment or get in touch.
In his introduction to The Weird Tales of William Hope Hodgson, a new anthology of Hodgson’s short stories, editor Xavier Aldana Reyes writes: “Hodgson has not always been as well-known or admired, however, and had remained rather forgotten until the late 1980s…it is not difficult to see why. Hodgson’s writing is certainly uneven and…prone to repetition…” But, Reyes writes, Hodgson’s “stylistic shortcomings” are compensated for by his “imaginative invention and ability to conjure up a strong feeling of dread of the unknown”.
Peter speaks to Caitlin Starling about her debut novel The Luminous Dead, video games and interactive fiction, her upcoming projects, and more.
In this episode, Peter speaks to Catriona Ward whose second novel Little Eve, a 1920s murder mystery set on a remote Scottish island within a nature-worshipping cult, was nominated for a 2018 Shirley Jackson Award.
Peter speaks to professor Jessica Gildersleeve about Nicolas Roeg’s 1973 classic horror film Don’t Look Now.
The winners of the 2018 Bram Stoker Awards, run by the Horror Writers Association, were announced on Saturday May 11th at the 4th annual StokerCon™ in Michigan, honouring the year’s best horror across a range of categories. Below you can find all of the winners, including those shortlisted for each award category.
It is hard not to begin an article about Margaret Oliphant (1828-1897) without referring to her famous prolificacy, as she produced over 120 works of fiction and non-fiction in her lifetime, making even Anthony Trollope look like a layabout. Oliphant was amongst those early British women writers who managed to make a living from their writing, although in Oliphant’s case, following the death of her husband in 1859, it was more a matter of survival for her and her children. There was a revival of interest in Oliphant’s work, which had fallen into obscurity, towards the end of the 20th century, seeing the republication of a number of her books – OUP’s Oxford World Classics edition of her 1883 novel, Hester, describes Oliphant as “one of the great Victorian novelists.”
Today, the nominees for the 2018 Shirley Jackson Awards, rewarding ‘outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic’ were announced. The awards will be presented on Sunday July 14th, voted upon by a jury of professional writers, editors, critics, and academics.
The following is an excerpt from We Live Inside Your Eyes, the new collection from Bram Stoker Award-winning horror author Kealan Patrick Burke, featuring previously uncollected stories and two brand new tales. You are about to read the opening section, part one of two pieces that bookend the collection.