Essays Horror Film

It helps them detach: Midsommar as reproductive horror

From the creeping paranoia of Rosemary’s Baby to the gory births of the Alien franchise, imagery of pregnancy and birth has proved a fertile ground for horror directors to explore and exploit. Midsommar, Ari Aster’s 2019 folk horror outing, is preoccupied with themes of seasonality and rebirth, so it’s no surprise that the film is saturated with imagery that evokes the reproductive cycle. Protagonist Dani’s journey from traumatised onlooker to embittered cultist is coded as a journey from conception to birth, and from infantilism to hard won maturity. In the process, Midsommar reveals a deep ambivalence, both towards the physical act of childbirth and the emotional reawakening Dani experiences.