We live in a time of remixes. Arguably, we live in a time that is itself a remix. Culture, history and politics all seem to repeat themselves, changed only slightly from one iteration to the next, with increasing rapidity. Whether it’s blockbuster movie sagas or wars in the Middle East, everything seems unpleasantly familiar.
(Editor’s note: this review contains spoilers)
When considering an adaptation of a novel, we must first remember that it is always exactly that – an adaptation. We cannot expect to see an exact rendering of our own analysis of any text onscreen; any adaptation requires careful editing, curating and collaborative interpretation from the actors, writers, directors, set designers and everyone else involved. Writers particularly should always feel free to be creative with a text; too much adherence to the original means you end up with Stephen King’s awful film rendering of The Shining, instead of Stanley Kubrick’s masterpiece.
C.J. Tudor has garnered a shining reputation as a prolific author of psychological thrillers, gaining praise from author heavyweights such as Stephen King and Lee Child. The Other People was my first introduction to C.J. Tudor’s work, after hearing her on a panel speaking passionately about the audiobook adaptations of her previous two novels, The Taking of Annie Thorne (2019) and The Chalk Man (2018).