The bloodline of Anne Rice’s The Vampire Chronicles is as enduring as the ancient blood drinkers about whom she writes and, with the publication of 1976’s Interview with a Vampire, is largely to blame for Twilight and the rest of its handsome and un-horrifying brood.
Fans of the series forgive me, for I am entirely new to it and may make observations that are obvious to you, knowing as I do only of the influence it has had on popular culture, the fiction of the vampire, and their chiselled new image. Once, the vampire had no need for mirrors, but you get the impression Rice’s regularly enjoy tending to their hair. “Almost all vampires are beautiful. They are picked for their beauty.”
“Like all avant-garde art… horror’s purpose is to force its audiences to confront the limits of their own tolerance.”
“Horror runs very deep”, says Darryl Jones, in his compact and entertaining history of horror, and “is part of what we are.” Coming in at under 200 pages, I was surprised that this story of horror, from Euripides to the Slender Man, arrived in a pocket-sized edition. If you’ve ever read one of OUP’s Very Short Introductions, you’ll know what to expect and I wonder why this book wasn’t called Horror: A Very Short Introduction.
Catriona Ward is the author of two novels, Rawblood (from 2015) and Little Eve, which was published this summer. I first interviewed Ward on 4th February 2016 for the Oxford Writing Circle, in the dark and now sadly gone Albion Beatnik Bookstore; I even recorded a terrible quality video of the interview (thankfully Ward’s intelligence and wit is of a much higher standard). Here, I am publishing an edited transcript of that interview. Whilst much has moved on since we met in Oxford, this interview should at least provide some nostalgic interest.